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Ozu’s color films to be restored

According to Tokyo Shinbun, NFC (National Film Center) in Tokyo announced the plan to restore Yosujiro Ozu’s four color films, such as AN AUTUMN AFTERNOON and LATE AUTUMN, using the state-of-art digital technology. These films are already showing some decay and fading. To restore the color of these films, it is necessary to collect the knowledge of the people who were involved in Ozu’s production directly. Archivists are alarmed of the loss of such knowledge, since these ex-staffs are becoming too old. This program is the part of 110th anniversary of Ozu, and these restored versions of the four films …

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JAPANESE FILMS

5 Lost Films by 5 Masters of Japanese Cinema

Here is the list of lost films by 5 Japanese masters: Shozo Makino, Kenji Mizoguchi, Yasujiro Ozu, Sadao Yamanaka and Akira Kurosawa. I guess you may pick other films, but I will state my case.     Goban Tadanobu, Genji no Ishizue (碁盤忠信　源氏礎, 1909) Directed by Shozo Makino Produced by Yokota Shokai Starring Matsugoro Ono-e Though this is not a first dramatic cinema in the Japanese history, this is definitely the most important work during the early period of Japanese cinema. It is the first film to star the Star of Japanese Cinema, Matsunosuke Ono-e, and kicked off the life …

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JAPANESE FILMS

Going Berserk

1920’s was the era of Jidaigeki in Japanese cinema. In spite of its popularity (or rather, because of it), only handful of the masterpieces of the era survived. Matsunosuke Onoe was the first Japanese cinema star and the most popular among kids during 1910’s and 20’s, but it was the late 20’s that saw the pinnacle of Jidaigeki. So I heard. In 1925, Daisuke Ito created “Chuji Tabi Nikki (忠治旅日記)” Trilogy with Denjiro Ohkochi, one of the most influential Jidaigeki in the Japanese cinema history. “Shin-ban Ooka Seidan (新版大岡政談, 1928, Dir. Daisuke Ito)”, “Zanzin Zanba Ken (斬人斬馬剣, 1929, Dir. Daisuke …

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