The Issue of Degradation, Part 1

Old films have scratches, moldings, tears, color fade and many other forms of deterioration. They have happened, are happening and will happen. Nitrate films are combustible and prone to catch fire easily, while acetates are prone to hydrolysis, causing ‘vinegar syndrome’. Colors will fade. Sprockets may disintegrate. In many cases, no original negative has survived and only material available to us is a poorly handled dupes. Copying analogue data (images on films) always degrades the quality of the original, such as sharpness, brightness, grayscale/color balances and audio clarity. People often have said preserving the film prints and negatives is not …

Film, digital.

When the next summer blockbusters come to the nearest cinema complex, all of them would be packed with dazzling arrays of digitally generated images. In fact, it will be extremely difficult to find a film without any digital post processing these days. If you sit through ridiculously long end credits for some of the recent Hollywood entertainment films, you will find large percentage of the personnel are involved in post production digital image processing. The total control of production process by digital technologies has made the business of movie industry more adapt to DVD and BluRays, flooding the markets with …