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Isuzu Yamada (1917 – 2012)

Isuzu Yamada, one of the most renowned actresses in Japanese cinema history, passed away on July 9, 2012. She was 95. Her memorable screen performance includes Mizoguchi’s “Osaka Elegy”, Naruse’s “Nagareru” and Kurowsawa’s “Thone of Blood”, to name the few. She started her career in her teens in Nikkatsu and was recognized quickly for superb acting skills. Her portrayal of damaged, rebellious teenage mistress and Geisha in Mizoguchi’s “Osaka Elegy” and “Sisters of the Gion” was breakthrough in prewar Japanese cinema, and boosted both Mizoguchi’s and Yamada’s careers. Before WWII, she was a top star at Toho, starring in many …

 
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Masumura, Ichikawa and Ozu

Speed of Growth In the age of global economy, a self-proclaimed expert announces “your bond is no longer as secure as it used to be” and then whole world goes berserk. A large part of transactions of securities, stocks, bonds, foreign currencies and other monetary entities is processed by computer algorithms without human intervention, in less than a microsecond over the continents. A myriad of security firms, banks, and other companies you never knew how to pronounce their names, destroy your retirement plan in two seconds. Most of us are jittery because off-shoring project in process in the floor below …

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Postwar Kurosawa: Scandal

Between Furrows The man I met at Komagata-ya (local bar/izaka-ya) created the character of Hiruta. Not me. Akira Kurosawa In his autobiography, Kurosawa confessed he could not stop writing lines after lines for Hiruta’s character. As Kurosawa develops the details out of the promising synopsis on yellow journalism, the character of Hiruta becomes more vivid, more morally defunct, even more pathetic, and more real. After the release of the film “Scandal”, his memory suddenly flashed back to the scene he had forgotten, the night he had met this man. That was when Kurosawa was still a young assistant director, drinking …