‘Mis’-interpretting UNTERNEHMEN MICHAEL

Karl Ritter’s direction is skillful, but it is the soul of filmmaking that shine through more brilliantly than skill. The soul to make something complete is within him. A great filmmaker. Kenji Mizoguchi on Karl Ritter (1940)   I think Karl Ritter is overrated tremendously. When he handles a patriotic subject, he uses an extremely vulgar approach. Joseph Goebbels on Karl Ritter (1939) In 1940, a German UFA production, UNTERNEHMEN MICHAEL was imported to Japanese market, only to be censored by the Japanese officials before its release in theaters. One of the leading movie magazines at the time, STAR, printed …

Two Totalitarian Regimes, Two films

As I mentioned before, foreign film market in 1930’s Japan was very lively and energetic, even in the eve of Pearl Harbor attack. Especially German and Austrian cinema were quite popular, not just because Japan had a political alliance with the Nazi regime, but also because people simply loved sweet scent of Hapsburg Empire and of German clinical efficiency. As I read through several literatures and contemporary periodicals, I find many of their observations on certain films, aesthetics, film techniques or directors were radically different from our views today. One of such examples is the case for Karl Ritter. Karl …

A Little Leaflet from 90 Years Ago

A few days ago, I received the package from the bookstore specialized in vintage movie magazines. I won several issues of Kinema Junpo from 1920’s and ’30s from the online auction. Kinema Junpo is one of the oldest periodical publication on movies, dating back to 1919, and still in business. One of the issues in the package was dated March 11, 1924. It’s only 28 pages, including covers, but to me, it contains a wealth of information about the movie experience almost 90 years ago. Between its pages, I found a small sheet of paper. It is printed on both …