Sound of War (Part 3)

In “Stukas (1943, Germany)”, directed by Karl Ritter, dive bombers create shrieking, menacing noise, accentuating the furious velocity of attack. This unnerving noise is the sound of the infamous “Jericho Trumpet”, a wailing siren device mounted on the Junkers Ju 87 (“Stukas”). The historians said that purpose of this devilish siren was to intimidate ground enemies as the aircraft engaged dive bombing. This ‘trumpet’ symbolizes the velocity and intensity of Blitzkrieg of the Third Reich during the early stage of the war.

In jenen Tagen (1947)

Many film history books devote their pages on postwar German film industry to New German Cinema movement, usually citing the names of the auteurs like Fassbinder, Herzog, Schlöndorff or Wenders, and drawing a parallel with French New Wave. Both movements shouted first and shot later: they both shouted their papa’s movies suck. For French New Wave, ‘papa’ was kindly named by François Truffois, – directors like Claude Autant-Lara, Jean Delannoy, René Clément, Yves Allègret and Marcello Pagliero, and scriptwriters like Jean Aurenche and Pierre Bost, Jacques Sigurd, Henri Jeanson, Robert Scipion, and Roland Laudenbach (1). Young Germans were much more …